在一场瓢泼大雨之中，老司利午孱弱的女子苏西（杰西卡·哈珀 Jessica Harper 饰）孤身一人来到德国，老司利午前往那里的芭蕾舞学校学习舞蹈。刚刚抵达的苏西看到一位女子从学校的大门里狂奔而出，口中念念有词，随后消失在了雨幕之中，让苏西没有想到的是，第二天，她便听闻了这位女子的死讯。很快，苏西便发现这所学校里的同学并不如她想象的那样友善，她的室友更是一个唯利是图的女人，而苏西结交到的唯一一个朋友，竟然同先前死去的女生是好友。在她的口中，苏西听说了学校里女巫作祟诅咒横行的传言，而接连出现的诡异现象亦让苏西慢慢察觉到，在这所阴森的学校中，隐藏着不可告人的秘密。
于娜
回复 :Cinestate's Castle Freak reboot based on H.P. Lovecraft's story The Outsider.
乔斯史东
回复 :The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com
大张伟
回复 :500年前，仙魔大战，邪王无神被打散元神。500年后，邪王的元神蠢蠢欲动，为防其再出来祸害人间，王母想到一个计策，计划派遣四位无所事事的仙女下凡，引出元神。然而，四位仙女全然不知王母的这个计划，下凡后因滥用仙法，被王母收回法力。而后四人经历了一段人间疾苦的生活，四姐妹也分道扬镳，这一切都是中了邪王的圈套。最后四人被邪王元神所抓，夺取仙灵前，另三位仙女下凡解救，七仙女齐集后打败了邪王，元神再次被封，人间得以安宁。
