传统上,天海练武之人有所谓“尊师重道”,天海但并非每件江湖事都是黑白分明。高坚(江林)是武林大豪门下小弟子,生性耿直,常被众师兄欺侮,其师石正重对他没甚好感。一天,高路见不平,救了负伤逃亡的武林怪杰金天运(陈观泰),并藏金于其独住的杂物房中;金因高仗义相救,而己也身受重伤时日无多,便毫无保留地将自己武功授给高。谁知金原是高师的仇人,不料高于练武时无意间露出非凡身手;高师知真相后,将之判以“背叛师门”之罪。谁料为师门报仇雪恨的,竟是这“叛徒
传统上,天海练武之人有所谓“尊师重道”,天海但并非每件江湖事都是黑白分明。高坚(江林)是武林大豪门下小弟子,生性耿直,常被众师兄欺侮,其师石正重对他没甚好感。一天,高路见不平,救了负伤逃亡的武林怪杰金天运(陈观泰),并藏金于其独住的杂物房中;金因高仗义相救,而己也身受重伤时日无多,便毫无保留地将自己武功授给高。谁知金原是高师的仇人,不料高于练武时无意间露出非凡身手;高师知真相后,将之判以“背叛师门”之罪。谁料为师门报仇雪恨的,竟是这“叛徒
回复 :马奇夫人(劳拉·邓恩 Laura Dern 饰)有着四个如花似玉的女儿,大女儿梅格(艾玛·沃森 Emma Watson 饰)拥 有着美丽的外表,和对于爱情的天真憧憬。二女儿乔(西尔莎·罗南 Saoirse Ronan 饰)满脑子塞着古灵精怪的念头,整天拿着蘸水笔东写西写,她的故事在全家上下都受到了热烈的欢迎。三女儿艾米(佛罗伦斯·珀 Florence Pugh 饰)渴望成为一名画家。最小的女儿贝斯(伊莱扎·斯坎伦 Eliza Scanlen 饰)虽然个性比起三个姐姐要来的内向的多,却拥有杰出的音乐天赋。在马奇夫人的教导之下,四个姑娘渐渐成长为了拥有独立人格的杰出女性,她们热情、乐观、善良,每个人都在各自的道路上坚强而又坚定的前进着。
回复 :罗伯特·克鲁伯是一位著名的另类漫画大师,他创造出的《怪猫菲力兹》更是首部限制级动画片。影片回顾了漫画大师的一生,采访了他的母亲、两个兄弟、妻子以及前女友等人,并挑选了他大量画作中的经典部分欣赏,一副副针砭时弊的的作品不断出自他的笔尖。史上最佳20部纪录片之一。片子制作人是大卫林奇。本片获 :1995年 国际纪录片协会最佳纪录片大奖1995年 圣丹斯电影节评委会大奖,摄影奖1995年 纽约影评人协会最佳纪录片奖1995年 全美影评人协会最佳纪录片奖1995年 美国国家评论协会影评人协会最佳纪录片奖1996年 美国导演协会最佳纪录片奖
回复 :Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.