香蕉入围第71届柏林电影节全景单元。In a dystopian future, children are considered property of the military regime which trains them to fight in a state boarding school. A Cree woman tries to get her daughter back. A parable about the situation of the First Nations, seen from a female perspective.
李菲菲
回复 :老人の性問題と若者の閉塞感をテーマに、65歳以上のコールガールを集めた高齢者専門の売春クラブ“ティーガールズ”に殺到するシニア男性たち、そして組織を運営する社会に居場所のない若者たちの姿が描かれる。
黄雨田
回复 :在这部搞笑而真诚的纪实性肥皂剧中，未尝败绩的重量级冠军泰森·富里从拳击界退役，迎接光怪陆离的家庭生活
姜育恒
回复 :Mavie is 27 years old and has just moved to the French capital from the provinces. She dreams of a future as a writer but is plagued by doubt and uncertainty. 76-year-old misanthrope Georges runs a bookshop in Paris – or has he merely been forced to take refuge there to escape his past? These are two peculiar creatures indeed. Georges is cynical and no longer expects much from life, while Mavie is still brimming with expectation. Yet something magical happens between them, until Georges' dark secret suddenly catches up with him – and Mavie is caught up in something very different...Director Elise Girard succeeds in making a dreamlike film full of surprising absurdities. It’s not just love that appears out of the blue for the two protagonists, but also some quite literal strange birds. Girard depicts love beyond the barriers of age in a way that is both unexpected and moving, romantic instead of physical, timeless instead of fashionable. The film reminds us of the multifaceted nature of love as well as how fleeting it can be, existing not yesterday or tomorrow but above all in the present.
