剧情简介
在血腥的科拉尔金矿区，深川洛基的名字让他的敌人感到恐惧。 他的盟友仰赖于他，深川政府却将他视为对法律和秩序的威胁。 洛奇必须与来自四面八方的威胁作斗争，以获得无可挑战的霸主地位。
深川铃视频
在血腥的科拉尔金矿区，深川洛基的名字让他的敌人感到恐惧。 他的盟友仰赖于他，深川政府却将他视为对法律和秩序的威胁。 洛奇必须与来自四面八方的威胁作斗争，以获得无可挑战的霸主地位。
野孩子
回复 :Min Ji-suk runs a ticket barwhere customers can purchase tickets for certain servicesin the town of Sokcho in Gangwon-do. She hires Miss Yang (Ahn So-young), Miss Hong (Lee Hye-young), and Se-young (Jeon Se-young) through the employment agency. Miss Yang and Miss Hong, who are well experienced in this type of business, are used to accepting propositions from customers. But Se-young, who is dating a college student named Min-su, rejects all requests for sexual favors. When Min-su professes to having problems with his tuition and finances, Se-young reassures him that she will procure the necessary funds for him. When the bar's clientele begins to dwindle because of Se-young, Ji-suk reprimands her severely. Se-young develops a close relationship with a Captain Pak and even allows him to sleep with her. She asks Captain Pak to find Min-su employment on a boat, but when Min-su comes to Sokcho for his new job, he sees how Se-young has been making her living. Shocked, he turns his back on the job and leaves. When he eventually returns to Sokcho, he scathingly denounces Se-young's morality and severs their relationship. Decades ago, Ji-suk had stumbled into the bar business in a desperate effort to support her husband, who was serving time in prison; she later left him voluntarily out of shame and moral degradation. Concerned that Se-young will end up with the same fate, Ji-suk asks Min-su to meet with her. She begs him not to abandon Se-young, but he flatly refuses. Ji-suk reacts by pushing Min-su into the sea, and suffers a mental breakdown that lands her in a psychiatric institution.
朴志胤
回复 :在电影公司任武打替身一职。一天，他的师妹来到探望他，并误打误撞成了新一代武打天后，但却没有戒骄戒躁，与师兄闹翻，后被解约。后来她与成为导演的熊星进行潜规则后争取到了一个与师兄共同合作的机会，在倪淑君扮演的小芬的劝说下，师兄同意参加剧组。但在拍一个危险镜头时，师兄临场替下师妹，跳下集装箱时因一块石头崴到脚而变成终身残疾。在经过鬼门关后，师兄与小芬一起回马来西亚，在机场却看到了要一起走的师妹
李修
回复 :“It is a film from an extended series. It is hard to say who is the main character of “The Soviet Elegy.” There are more than a hundred faces of our compatriots. But, of course, it is not by chance that it is the destiny of a famous political figure, Boris Nikolayevitch Yeltsin, that bears a special accent in the film. Though he got to power following quite typical ways, his uncommon character puts him out of the ordinary, and in the author’s opinion it may be determined by his uncommon human nature. Our hero exists within the tragic pattern of the soviet socialist life. He is a character of a drama, of which he is one of the authors. “The Soviet Elegy” can hardly be called a documentary film in the proper sense. Of course, the author guarantees the accuracy of chronology, but he insists on an artistic mode of thinking, not on a political or historical investigation.”
