要结The Jane is a short starring Nate Dern, Bridey Elliott, and Veronica Osorio. The four ways one man can navigate an unusual proposition that he receives from two women at a hotel bar, while picking up takeout food for his girlfriend.The four ways one man can navigate an unusual proposition that he receives from two women at a hotel bar, while picking up takeout food for his gir...
柳飞
回复 :与恋人分手后伤心的诗织，每晚都梦见被神秘男子拥抱。陶醉于淫梦的她，渐渐变得妖艳起来。但是某天，梦中的男人变成了可怕的样子出现在现实世界中……
陈秋琳
回复 :转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
温力铭
回复 :远在南美巴塔哥尼亚，无涯草原和连绵高山，是马匹羊群的牧场，也是牧场工头伊云斯的家。以马羊为伴，千篇一律的工作年复年，马羊山岭是日常，不同的只有每逢夏天到来的工人们的面孔。伊云斯大半生都在与世隔绝的牧场渡过，然而年届七十不得不交棒。新来的小伙子夏拿从遥远的北方而来，跟马羊相对还是第一次。寒冬将至，角色互换然而境况相似—两人必须适应各自的新环境奋力生存。此心安处是吾家，在白茫茫的雪地之中，一个意欲离开，一个拼命留下来。
