井上瞳视频
地区:法国
  类型:刑侦
  时间:2025-04-27 01:44:13
剧情简介

井上Now You See Him, Now You Don't is a 1972 Walt Disney Productions film starring Kurt Russell as a chemistry student who accidentally discovers the secret to invisibility. It is the sequel to the 1969 film The Computer Wore Tennis Shoes and was followed by 1975's The Strongest Man in the World.Now You See Him, Now You Don't was the first Disney film to be shown on television in a two-hour time slot, in 1975.Previous television showings of Disney films had either shown them edited or split into two one-hour time slots.At Medfield College, science buff Dexter Riley and his friends, including Richard Schuyler and Debbie Dawson, eavesdrop via a hidden walkie-talkie on a board meeting led by Dean Eugene Higgins, discussing the small college's continuing precarious finances. Later that afternoon, Professor Lufkin shows Higgins around the science lab where Dexter is working on an experiment with invisibility and another student, Druffle, explores the flight of bumblebees. That night, during a powerful thunderstorm, the roof of the lab is struck by lightning, sending a current of electricity down a metal beam and through Dexter's complex experiment components. The next day, as Dexter examines his burnt equipment with dismay, Higgins meets with A.J. Arno, a recently released prisoner, who had also purchased Medfield's mortgage. When Dexter accidentally drops one half of his glasses into a container of his experimental formula, it appears as if the substance destroys them, but upon closer examination, Dexter realizes the frames are merely partially invisible. After several tests, Dexter places his fingers in the liquid and they disappear. Schuyler and Debbie arrive and are horrified to see Dexter with a partial hand, but Dexter insists Schuyler test the substance as well, admitting only afterward that he does not yet have an antidote.Just then, Higgins brings Arno to visit the lab, stunning the students, as only two years earlier, Dexter was instrumental in exposing Arno's crooked gambling scheme. Dexter and the others notice that Arno is more concerned with the campus architecture than Higgins' speech. Curious about Arno's behavior, Dexter convinces Schuyler to use the invisibility formula to sneak into Arno's office that night. Although they are nearly discovered when Schuyler steps into a puddle, making his tennis shoes visible, the boys get inside Arno's office where they find a model of Medfield College redesigned as a sprawling gambling establishment. After taking photos of the model, the boys flee with Debbie's help.The next day Dexter shows the photos to Lufkin and Higgins. Convinced that Druffle's bumblebee study would draw attention and investments to Medfield, Higgins reacts angrily when Dexter assures him that his invisibility formula could win the top prize money in the upcoming Forsythe science contest. Not having admitted to anyone that Medfield has been dropped from the contest for being too insignificant, Higgins contacts the contest's sponsor, millionaire Timothy Forsythe, and agrees to meet over a game of golf, despite his inability to play. Upon learning of Higgins' plan and suspecting it must be connected with raising money for the college, Dexter urges Schuyler to volunteer to serve as Higgins' caddy while, hidden by the invisibility formula, he will take control of Higgins' golf ball. At the golf club, Forsythe and the state university dean, Collingsgood, are amazed by Higgins' quirky golfing abilities, which include numerous hole-in-one-shots, as is Arno who is also at the club.After the game, Forsythe agrees to reinstate Medfield into the competition. Meanwhile, Arno accidentally sees Dexter becoming visible in the club showers and grows suspicious. When the local television news covers Higgins' extraordinary golf game, he is invited to join an exclusive tournament in nearby Ocean City. Convinced that he will win enough money to pay the college's mortgage, Higgins brashly accepts and that afternoon departs with Schuyler. Learning of the tournament from Druffle too late, Dexter misses the plane and is forced to watch the competition on television where Higgins' game against two professionals is a disaster. Arno and his henchmen, Cookie and Alfred, also watch the tournament and ponder Higgins' odd inconsistency. Upon returning to the college, Higgins tells Lufkin that Druffle's bumblebee experiment is the school's last chance. Both men are stunned when Druffle appears swathed in bandages after being attacked by the bumblebees, to which he is allergic. Hoping to assuage the crestfallen Higgins, Lufkin suggests that they give Dexter's unproven formula a chance and the dean reluctantly agrees.That evening, Cookie, disguised as a janitor, sneaks into the campus lab where he witnesses Dexter and Schuyler using the invisibility spray and reports to Arno, who orders him to return and steal it. The following day, Forsythe and members of his committee arrive on campus to judge the best science experiment at the college. Unaware that their spray bottle has been replaced by Cookie, Dexter and Schuyler make their presentation and are stunned when it has no effect. Forsythe and Higgins depart as Dexter remains confused until he chats with Charlie the janitor. Learning that there is no night janitor, Dexter realizes that Cookie likely stole the formula. Concluding that Arno must be behind the theft, Dexter plants a walkie-talkie in his office.A couple of days later, Schuyler overhears Arno plotting with Cookie to rob the Medfield Bank by making themselves and the money invisible. Certain that if he could retrieve the formula before the Forsythe Award announcement that night he could still win the contest, Dexter sends Schuyler to the police and goes to inform the bank's president, Wilfred Sampson. When both the police and Sampson dismiss the boys' story about invisibility, Dexter and his friends gather outside of the bank. When an invisible Arno and Cookie knock out the guards and take the money, Dexter unsuccessfully tries to use a fire hydrant to hose the men down as they exit the bank. Sampson contacts the police, who join the college students in a wild chase of the car driven by the invisible robbers.After briefly eluding everyone, Arno orders Cookie to make the car invisible, but they are spotted on a dirt road in a park. Deducing Arno will not leave town but go to his home instead, Dexter drives there and forces Arno's car into a swimming pool where it, the money, and the men become visible. Arno and his henchmen are arrested. Dexter and the others dash to the presentation of the Forsythe Award and plead for one more opportunity to demonstrate their invention. Frustrated by Dexter's determination, Higgins intervenes just as Dexter sprays Schuyler, and, again, there is no result. Realizing the dip in the pool has diluted the formula, Dexter tries to explain to Forsythe. Just when Higgins tells everyone for the last time that invisibility does not exist, the top half of him becomes invisible, thus shocking the group and winning the top prize to save Medfield for another year.

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明星主演
王志心
吴浩康
万晓利
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狄波拉哈利

发表于6分钟前

回复 :在传说中英雄辈出的年代,彪悍的西米里族英雄柯南(阿诺德·施瓦辛格 Arnold Schwarzenegger 饰)为了让心爱的瓦莱里亚复活,只得接受了异族女王塔拉米斯的要求,陪伴女王的侄女珍娜取得魔法钥匙“邪恶之心”。珍娜是远古卷轴上记载的天选之人,只有她才能得到钥匙,开启传说中的宝藏,而塔拉米斯的计划是利用柯南保护珍娜,在成功后把他们全部杀死,塔拉米斯派出侍卫长邦伯塔与柯南同行并暗中监视。柯南一行在路上救下了东方巫师和黑人女战士,加上盗贼好友,七人抵达了藏着邪恶之心的湖中城堡,城中的巫师施法将珍娜夺走,柯南等人力战终于救出珍娜,而这仅仅是冒险之旅的开端……


张谦卑

发表于7分钟前

回复 :Walden (Diaries, Notes & Sketches) de Jonas Mekas États-Unis, 1969, 16mm, 180’, nb et coul., vostf filmé entre 1964 et1968, monté en 1968-1969Walden est le premier des journaux de Jonas Mekas, rassemblés sous le titre générique Diaries, Notes & Sketches – le premier monté, même si Lost Lost Lost, achevé en 1976, montre la période précédente, de 1949 à 1963.« Depuis 1950, je n’ai cessé de tenir mon journal filmé. Je me promenais avec ma Bolex en réagissant à la réalité immédiate : situations, amis, New York, saisons. […] Walden contient le matériel tourné de 1964 à 1968 monté dans l’ordre chronologique. La bande-son utilise les sons enregistrés à la même époque : voix, métro, bruits de rues, un peu de Chopin (je suis un romantique) et d’autres sons, significatifs ou non. »Jonas Mekas« Je n’ai pas disposé de ces longues plages de temps nécessaires à la préparation d’un scénario, puis au tournage, puis au montage, etc. Je n’ai eu que des bribes de temps qui ne m’ont permis de tourner que des bribes de film. Toute mon œuvre personnelle est devenue comme une série de notes. Je me disais : je vais faire tout ce que je peux aujourd’hui, parce que sinon je ne trouverai pas d’autre moment libre avant des semaines. Si je peux filmer une minute, je filme une minute. Si je peux filmer dix secondes, je filme dix secondes. Je prends ce que je peux, désespérément. Mais pendant longtemps, je n’ai pas visionné ce que je filmais et emmagasinais ainsi. Je me disais que tout ce que je faisais, c’était de l’entraînement. »Jonas Mekas, 1972« Walden de Jonas Mekas s’impose, près de trente ans plus tard, comme un document cinématographique essentiel de la vie artistique new-yorkaise à l’une de ses époques les plus grandioses. Sans jamais choquer ni se confesser, Mekas a imprégné chaque instant de ce très long film des nuances de sa personnalité. Parmi un vaste éventail de personnages, pour la plupart non nommés ou simplement appelés par leur prénom – bien que certains soient mondialement célèbres –, le seul portrait psychologique est celui du cinéaste lui-même : un poète lituanien exilé, fasciné et torturé par sa lente américanisation. Le film est dominé par un rythme staccato nerveux qui s’épanche régulièrement en grandes exaltations. En accumulant massivement des images, Mekas s’est constitué des archives uniques en leur genre pour assembler ce journal visuel, le premier d’une longue série. Aucun autre film ne restitue à ce point la sensation propre à ce temps et à ce lieu, telle qu’on peut la retrouver en regardant le film aujourd’hui. En tant que personnage secondaire apparaissant régulièrement devant la caméra de mon ami, je suis conscient combien sa représentation des autres reste fragmentaire et elliptique, et cependant ces images sont devenues pour moi les indices visuels les plus forts de la personne que j’étais il y a trente ans. Ceci est peut-être la clé de l’œuvre de Mekas : sa découverte d’une forme cinématographique laissant transparaître ses changements d’humeur, sans imposer un masque cohérent de lui-même. Il a ainsi construit une oeuvre qui laisse les autres apparaître dans leur ambiguïté phénoménale. »P. Adams Sitney, 1996, Le Livre de Walden, éd. Paris Expérimental, 1997« Disons que, cinématographiquement parlant, il n’y a peut-être rien de plus beau que les trois premiers plans de Walden : des arbres dans un parc bleuté par les reflets du soleil d’hiver, la neige et l’aube du printemps ; du temps, proustien ou haché en haïku, du temps qui tient dans la main, du souvenir partout. »Philippe Azoury, « Vivace Jonas Mekas », Libération, 31 octobre 2000


孙培恩

发表于9分钟前

回复 :讲述二战史上日本本土的最后一天发生的情景。以2小时38分钟的篇幅全面描绘日本1945年8月15日向盟军投降的前前后后,是一部格局宏大的史诗巨片。日本1967年冈本喜八经典名作之一,《电影旬报》评选的日本百大佳片之一。影片结尾三船敏郎剖腹自杀一段情节的刻划堪称经典中的经典。由于影片是黑白的画面,当三船敏郎左至右横切腹部时,鲜血从喷涌而出的场面令人毛骨悚然,这个情节大约持续了10分钟左右,充分显示了日本军国主义的盲目性。


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