纽约剧团要重排《天鹅湖》，手心因前领舞Beth（薇诺娜•赖德 Winona Ryder 饰）离去，手心总监Thomas（文森特•卡索尔 Vincent Cassel. 饰）决定海选新领舞，且要求领舞要分饰黑天鹅与白天鹅。Nina（娜塔莉•波特曼Natalie Portman 饰）自幼练习芭蕾舞，在母亲的细心关照下，技艺出众。这次，她希望可以脱颖而出。然而，在竞争中，她发现心机颇重的Lily（米拉•库妮丝 Mila Kunis 饰）是自己的强劲对手。在选拔中，她的白天鹅表演的无可挑剔，但是黑天鹅不及Lily。她感到身心俱疲，回家还发现了背部的红斑与脚伤。她一个人找到总监，希望争取一下。总监趁机亲吻她，却被她强硬拒绝。结果，总监居然选了她。队友怀疑她靠色相上位。在酒会上，Beth甚至当众发泄。这种压力外加伤病，一直影响着她的发挥。总监启发她要释放激情，表现出黑天鹅的诱惑。在强大的心理暗示中，她似乎也滑向了黑天鹅的角色……
迈克尔勃顿
回复 :一对四十多岁的夫妇来到纽约采访一个芭蕾舞老师，交谈中，他们在艺术方面产生了许多共鸣。
黄丹仪
回复 :Tom（大卫·斯特雷泽恩 David Strathairn 饰）和Gail（梅丽尔·斯特里普 Meryl Streep 饰）夫妻感情疏远，为了努力弥补缝隙，他们决定带着儿子Roarke（约瑟夫·梅泽罗 Joseph Mazzello 饰）和爱狗进行漂流冒险旅行——Gail曾经勇敢地漂流过铁手套这一令人闻风丧胆的三河交汇处。途中他们遇见Wade（凯文·贝肯 Kevin Bacon 饰）、Terry（约翰·C·赖利 John C. Reilly 饰）和Frank，Wade的小手段让Roarke将他推崇为英雄。然而Frank中途无端失踪，突然Wade和Terry露出狰狞的真面目——他们是抢劫巨款潜逃的罪犯，正在逃亡。Wade利用Tom和Roarke做人质，威胁Gail带他们漂过铁手套。Tom在误打误撞中逃离虎口，和爱狗在下游准备埋伏，勇敢的Gail将第二次挑战铁手套，而且是要救出儿子。早在下游等待的Tom和Gail合力，不仅是战斗，还是再次感受到同甘共苦的爱情。
陈奕文
回复 :Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.
