备受期待的伊战影片《止损》由三位人气男星莱恩·菲利普、偷拍查宁·塔图姆、偷拍约瑟夫·高登·莱维特主演。片名“stop-loss”（止损）原本是金融外汇领域常见的词语，大致指投资失误时设法把损失限定在较小范围内的一种行为。越战之后这个词被美国政府加以利用，“stop-loss procedure”（止损程序）是指军方在其认定的紧急情况下，强迫已经履行完毕服役期间的任务或者有条件退休的士兵延长服役时间的一种行为。根据一项估计，这一备受争议的政策使得大概有7000名原定可以回国的美军士兵被迫滞留在伊拉克。片中由莱恩·菲利普饰演的布兰登·金中士带着荣誉回到了家乡小城并打算重建自己的生活，但是军方在止损程序下强行要求他立即回到伊拉克继续服役，不得已之下布兰登开始了亡命天涯的旅程，逃避一个他原本不惜生命去保护的国家的所谓“正义”。
蒂朵
回复 :Alice and Niklas are happy, they lack nothing - but a child. After several failed invitros, they go on a holiday to Sardinia to leave their wish for a child behind. Right there, however, everything they tried to repress resurfaces. A cheerful Tyrolean family moves directly into the neighboring house and seems to have everything that Alice and Niklas lack in life. An unforeseen incident changes their view on life, in which the most natural thing in the world does not avail.
张可芝
回复 :四少年枪王，誓破无情宿命。保方、碧咸、奥云破了“枪神”案后，在警队中被封为“破案三剑侠”。总督察黎SIR再次召集三人，参与一项保护内政要女儿阿雪来港参展的任务，三人起初不以为然，后来却发现，在阿雪的背后隐藏着重大阴谋……
陈林
回复 :Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye".It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
