剧情简介
铅黄电影。有点实验性的Cult片，肥臀《安娜迷宫》的导演又给大家带来感官盛宴。怪奇公寓妇女失踪，肥臀墙后房间通往童年，礼盒爬出帽子刺客，壁纸起伏欲望隧道；时空循环自我谋杀，白发初恋听诊凶案，糖果夹杂玻璃碎片，爆头画皮血流满屋……
肥臀视频
铅黄电影。有点实验性的Cult片，肥臀《安娜迷宫》的导演又给大家带来感官盛宴。怪奇公寓妇女失踪，肥臀墙后房间通往童年，礼盒爬出帽子刺客，壁纸起伏欲望隧道；时空循环自我谋杀，白发初恋听诊凶案，糖果夹杂玻璃碎片，爆头画皮血流满屋……
林威辰
回复 :转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
张晋樵
回复 :われは心より医者を助け、我が手に託されたる人々の幸のために身を捧げん―― （「ナイチンゲール誓詞」より） 桃子は看護師。時に患者のセクハラに遭い、時に同僚ナースが患者とセックスする姿を目撃しながらも、 日々マジメに仕事に打ち込んでいた。しかしそんな桃子にも人に言えない秘密が一つだけあった。 それは同じ病院で働く医師?二階堂との不倫関係。 決して実ることのない思いに身を焦がしながらも、桃子は彼に求められるがまま、体だけの関係を続けていた。 そんなある日、桃子は出勤途中に交通事故を目撃する。重症を負った大学生?達也を救急車で自らの勤務先へ 搬送したことをきっかけに、彼の担当看護師として初めてのリハビリを受け持つことになった桃子。 優しく献身的な介護の甲斐もあり、達也の体はみるみる回復。 ２人は患者と看護師という関係を超え、徐々に距離を縮めていく。 しかし...
裘海正
回复 :讲述女儿和妈妈一起生活会不富裕，幸福的生活着。可信任的男人（强仁）朋友一大笔钱支持强仁，竟是骗子，知道了挫折。结果平时生活条件等，在朋友的支持性买卖赚钱，也要让自己介绍工作的要求。
