剧情简介
这一集可以说是黑人电影，玩偶屋其实从第3部就开始仅以Video发行，玩偶屋越来越没有吸引力是明显趋势，每部转换个背景设置是定位销售。除了乏味的黑人文化，只剩下“魔笛”这一个看点了。然而我虽然时不时倍速,仍然忍着从头到尾撸完，本片就不算是真的烂片。最珍惜的是邪恶精灵的演员不变，经典形象一直保存下来。
玩偶屋
这一集可以说是黑人电影，玩偶屋其实从第3部就开始仅以Video发行，玩偶屋越来越没有吸引力是明显趋势，每部转换个背景设置是定位销售。除了乏味的黑人文化，只剩下“魔笛”这一个看点了。然而我虽然时不时倍速,仍然忍着从头到尾撸完，本片就不算是真的烂片。最珍惜的是邪恶精灵的演员不变，经典形象一直保存下来。
恭硕良
回复 :三池崇史2001年黑帮群像剧，分“抗争勃发篇”和“血战篇”两部。现为横沟一家•樋口组组长的樋口洋一（竹中直人 饰）与其小弟剑崎国彦（加藤雅也 饰）来自同一山村，二人亲如兄弟。经过多年打拼，樋口组已成为令敌对帮派不敢轻易碰触的强大组织。白根组是横沟一家的敌对帮派，两派划河为界，纷争不断。某天一白根组成员（三池崇史 饰）在横沟所辖的俱乐部闹事被杀，白根组派杀手（白龙 饰）暗杀横沟一家总长（Micky Curtis 饰），致使两派战火点燃。视总长如父亲的剑崎作为先头军向白根组发动攻击。另一方面，号称拥有1万成员的天成会新任干事长海藤龙宣（松方弘树 饰）欲将横沟一家与白根组纳入麾下，横沟高级干部土屋（秋野太作 饰）和水岛（伊武雅刀 饰）密谋促成此事。得知此讯的樋口洋一愤然率全组退出横沟一家，但不久即遭暗杀。孑然一身的剑崎率领忠诚的小弟独自与各方势力展开对抗……
官恩娜
回复 :In an intensely personal and often surprising film for BBC Two, Depression And Me, Alastair Campbell explores if radical new treatments can stop his depression.Campbell is best known for his role as Tony Blair’s formidable and often contentious spin doctor but, away from the public eye, he has been dogged by crippling bouts of depression for most of his life. Some days, just getting out of bed is too hard. Therapy and anti-depressant medication is helping him keep his head above water - but is that really the best he can hope for?Alastair Campbell says: “I’ve been on antidepressants for years and years and none of them can stop it. I want to understand my depression and find out if modern science has any better ways of treating it. I’m hoping there’s something out there that can help me lead a happier life.“I feel we are nearing a tipping point in the battle to demolish the stigma and taboo surrounding mental illness and TV is a very good medium for bringing these issues right out into the open. I have never regretted being open about my own issues but an important part of this film is also seeing my depression through the eyes of members of my family, especially my partner Fiona. I was also keen to get out there and find out what kind of progress was being made on the scientific and research front. There is a lot going on. My worry is that we are winning the battle for better awareness but losing the battle for the services we need."I was very pleased with the reaction to the film in Sheffield [at Doc/Fest]. One film alone cannot change the world but there is finally the focus on these issues that we need and hopefully one day we will have services to match.”
胡清蓝
回复 :This would definitely not have been my kind of movie, but my husband saw it on TV and said it was really good. So, on his recommendation, I bought a copy, since I didn't know if it would ever be on TV again. I had never heard of anybody in it except Armand Assante. At first I had a hard time getting into the story, because the first part of the movie is a jumble of images-- and it doesn't make much sense. It is only later in the movie that it all comes together. The scene-cutting- if that's what it's called, is a bit jarring-- it sometimes looks as if a few frames have been cut out of each scene, and the scenes are jerky--but I guess that was done to add to the unusualness (if that's a word). The story veers here and there, and just about the time you have it all figured out, everything turns upside down and you have to readjust your thinking as to who is the bad guy and who is not. Or bad woman. The acting is very good-- I kept thinking how much Norman Reedus looks like Leo Decaprio. The ending was a real twist, totally unexpected, which I liked. A good show.
