机械工程师巴瑞（Jay Gallagher 饰）原本和妻子安妮（Catherine Terracini 饰）、成本女儿梅根（Meganne West 饰） 过着快乐无忧的生活，成本但在一个不祥之夜，他们的人生发生了翻天覆地的巨变。沉睡中的巴瑞突然接到妹妹布鲁克（Bianca Bradey 饰）的电话，妹妹声称朋友们毫无征兆的情况下甚至错乱，变成了凶恶残暴、嗜血如命的恐怖丧尸。话音未落之际，巴瑞一家也遭到丧尸们的袭击。夜幕退去，曙光降临。布鲁克被两名全副武装的士兵解救，随后则被打晕带走。与此同时，逃难中的巴瑞则不得不面对妻子女儿尸变的悲惨一幕。途中他遇到了其他的幸存者，为了搭救被困的妹妹，巴瑞选择穿越丧尸群集的恐怖地带……
马梓涵
回复 :It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.
朱源辉
回复 :一部由六段分攝於不同時期的膠卷所組合成的編年記事。約拿斯．梅卡斯以第一人稱的日記體，闡述他自1940年代從立陶宛流亡至美國的心情。梅卡斯的鏡頭關照著移民社群的日常，也在他方尋找自己的家，如同片中的自述：「我是攝影機的眼睛，我是見證者，我記錄了這一切。我不知道，我是在歌唱還是哭泣？」
林苑
回复 :影片讲述了一个暗黑到极致的复仇故事，功夫小子“武林”（岳松 饰）来到有着“罪恶之称”的冷城投奔自己的师兄李江（释彦能 饰），却意外成为冷城首富千金李菲菲（李宇菲 饰）的保镖，从而引起一场前所未见的腥风血雨……
