赵焱
发表于4分钟前
回复
:在英国的一个小村庄里,来了一位曼妙的整容美女塔玛拉·德鲁(杰玛·阿特登 Gemma Arterton 饰),她曾经在这里长大,现在她已在外闯荡多年,还给自己天生的大鼻子整了形,成为一名年轻的记者,她此行只是为了将母亲遗留下的房子卖掉。然而,当曾经的大鼻子丑女以如此美艳的形象出现在众人面前时,宁静的村庄一下子波澜起伏,男人们接二连三地拜倒在塔玛拉的石榴裙下:小伙子安迪(卢克·伊万斯 Luke Evans 饰)从小就被她吸引,乐队鼓手本(多米尼克·库珀 Dominic Cooper 饰)更是与其展开热恋,甚至连中年作家尼古拉斯(罗杰·阿拉姆 Roger Allam 饰)也背着妻子与她纠缠。然而纸包不住火,事情渐渐暴露并发生一连串戏剧性的转折,塔玛拉和村民们的生活如何才能回归正轨?电影改编自波西·西芒德斯深受大众喜爱的同名漫画小说,漫画的创作灵感来源于托...
达明一派
发表于9分钟前
回复
:Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.