叶佩雯
发表于8分钟前
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:手机聊天群组「八婆」是由六个女生及两个男生组成,他们曾经一度很亲密,但因為当中的督察 May 发现自己男友和闺密陈逸寧有一腿;网络红人大波莲又将眾人的感情秘密写成书发表,种种原因,让这个群体的人愈分愈散,慢慢不再在群组中发言,最后让这个群组在手机中愈沉愈底。直到有一天,群组中的一员、一向乐於助人的 June,因為在上班时候,将上司放在茶水间的一瓶人奶,不小心用在给客户饮用的咖啡中,因此必须要在下班前找回一枝人奶来顶包。在无计可施下,她想起这群曾经亲密的一班好友,於是决定找陈逸寧帮忙,而陈逸寧亦开始把群组成员逐一找回来。虽然各人彼此充满著矛盾和恩怨,但大家為了帮忙 June,决定先把恩怨搁在一旁,尽力协助找奶,而在过程中,眾人把心中鬱闷很久的心结和问题,一次过爆发出来。让这天既在拯救 June,同时间亦在拯救一段已经早已逝去的友情。
阿吉仔
发表于3分钟前
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:The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.