剧情简介
步原弗洛伦斯·卡塞斯是一个绑架集团的幕后黑手吗？还是她是腐败行为的受害者？这部纪录片将探讨墨西哥一起最具争议的案件
步原月视频
步原弗洛伦斯·卡塞斯是一个绑架集团的幕后黑手吗？还是她是腐败行为的受害者？这部纪录片将探讨墨西哥一起最具争议的案件
罗开元
回复 :Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb
彭丽媛
回复 :这被认为是大卫•林奇拍得最混乱的一部电影。爵士乐手（比尔•普尔曼 Bill Pullman 饰）和他的妻子（帕特丽夏•阿奎特 Patricia Arquette 饰）一天早上收到了一盒录影带，他们发现里面的内容竟然是他们日常生活的点点滴滴。从此，他们每天早上都会收到这样的录影带。这天，乐手发现录影带里的内容竟然是他杀死了妻子！当他冲进卧室时，发现妻子果然死在了床上。警察将他带走了。一晚过后，原本在监房里坐着的乐手变成一个年轻的维修工，莫明其妙的警察只好将他放了。维修工因一手出色的修车技术深得黑社会老大器重，这时，他发现老大的女人竟然和他的妻子长得一摸一样，只是头发颜色不一样。老大的女人主动勾引了维修工，两人携款潜逃。当他们来到荒漠公路时，维修工与女子疯狂做爱，之后他又变回了乐手……
狗毛
回复 :由布莱恩·德·帕尔马（Brian De Palma）指导， 保罗·施拉德（Paul Schrader）编剧的《迷情记》（Obsession / 1976）是一部文艺气息相当浓厚的悬疑片。帕尔马导演一反常态，并没有在影片中过分卖弄血腥暴力，而是以细腻的手法把一个奇异的故事拍得如梦如幻，韵味十足。本片的摄影保持了帕尔马导演一如既往的高水准。而本片的配乐则是由著名大师伯纳德·赫尔曼（Bernard Herrmann）创作而成，他的音符亦是为影片迷离而神秘的气质加分不少。包括导演及编剧在内的主创们都坦率承认，《迷情记》是受到了传奇导演阿尔弗雷德·希区柯克（Alfred Hitchcock）的《迷魂记》（Vertigo / 1958）的影响而摄制上映的影片，是一部带有致敬色彩的门徒式电影。
